Making A Painting 1
Making A Painting 1

This is mulberry paper from Japan, made by Awagami Factory. It's very lightweight and fragile, so I like to protect the edges with a piece of rigid paper that folds around the front. It's 800mm x 1300mm. It only just fits on the table!

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Making A Painting 2
Making A Painting 2

All neat and tidy! Ready to go!

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Making A Painting 3
Making A Painting 3

I keep as much of the paper covered as I paint, to avoid transferring oil from my hands and paint smudges. Tracing paper is good for this.

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Making A Painting 4
Making A Painting 4
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Making A Painting 5
Making A Painting 5
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Making A Painting 6.
Making A Painting 6.

At this point the colour has changed three times. Starting with a strong red on the left, gradually blending to more of an orange red on the right.

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Making A Painting 7.
Making A Painting 7.

Nearly there.

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Making A Painting 8
Making A Painting 8

I think that's it for this stage. Next will probably be a new layer of something weaving its way around the red. One hour before I turn into a pumpkin. Oops, I mean pick up my boys!

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Making A Painting 9
Making A Painting 9

he next stage! Starting with a good strong purple to complement the red...

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Making A Painting 10
Making A Painting 10

No, I didn't watch the footy (it's Grand Final day today)!

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Making A Painting 11
Making A Painting 11

Losing the light!

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Making A Painting 12
Making A Painting 12

It's dark outside, my eyes are blurry, and the second stage is done - for now! The purple has changed a few times to eventually become a bright blue at the far end. It's too dark to take any decent pictures though, sorry!

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Making A Painting 13
Making A Painting 13

Using the same purple to blue colour theme, with a smaller shape weaving its way through.

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Making A Painting 14
Making A Painting 14

Using layers of tone and colour, I'm trying to create depth and interest with what would otherwise be fairly flat shapes.

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Making A Painting 15
Making A Painting 15

At this stage it often feels a little busy, so the next stage will hopefully balance it all out. It will have to have rest for now, while I begin work on another commissioned painting for the beautiful Bianca Lorenne!

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Making A Painting 16
Making A Painting 16

The first circle.

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Making A Painting 17
Making A Painting 17
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Making A Painting 18
Making A Painting 18

Back into it after Christmas and a crazy load of deadlines met in November and December. It's like reuniting with an old friend. Here I'm adding tiny little blue details to the points of the small purple shapes. I felt like the blue in the circles was very strong and that it needed to be repeated somewhere.

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Making A Painting 19
Making A Painting 19
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Making A Painting 20
Making A Painting 20

And here I go with the red ones. I've been wondering what to do with these, feeling like they needed some detail. I decided to mirror the little points I just added to the purple shapes, by adding yellow tips to the red.

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Making A Painting 21
Making A Painting 21

Finishing touches. The blue circles have become a little dominating, so I'm adding some dark blue details to the centres to soften them a bit.

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Making A Painting 22
Making A Painting 22

Finishing touches.

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Making A Painting 23 Detail
Making A Painting 23 Detail

To soften the blue I've also added some lighter circles.

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Making A Painting 24 Detail
Making A Painting 24 Detail
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Making A Painting 25 Finished!
Making A Painting 25 Finished!

I think. I'll 'live with it' for a while and may add some more, but for now I'm happy to leave it as it is. It's called 'Unravel'. Come along to Dandenong Ranges Open Studios and see it in the flesh at my studio! May 3 and 4.

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